Artist Management for the Music Business 2nd edition by Allen, Paul (2011) Paperback

Download Artist Management for the Music Business 2nd edition by Allen, Paul (2011) Paperback PDF by ! Allen eBook or Kindle ePUB Online free. Artist Management for the Music Business 2nd edition by Allen, Paul (2011) Paperback Great book, from the perspective of a DIY artist Currently, I am managing my own music career and so I read this book because I wanted to learn what a professional manager might be expected to do for me, and also to see what I am currently failing to, in terms of managing myself. I found this book to be extremely well written, full of content, well organized and insightful. All relevant aspects of artist management are covered h. Immaculate!! This text is an absolute must-have for all who are ne

Artist Management for the Music Business 2nd edition by Allen, Paul (2011) Paperback

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Rating : 4.16 (855 Votes)
Asin : B011DAHB9I
Format Type : paperback
Number of Pages : 420 Pages
Publish Date : 0000-00-00
Language : English

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Artist Management for the Music Business by Allen, Paul Focal Press, 2011 2

Great book, from the perspective of a DIY artist Currently, I am managing my own music career and so I read this book because I wanted to learn what a professional manager might be expected to do for me, and also to see what I am currently failing to, in terms of managing myself. I found this book to be extremely well written, full of content, well organized and insightful. All relevant aspects of artist management are covered h. Immaculate!! This text is an absolute must-have for all who are new to the entertainment industry and all who think they may want to enter this field.Pros:-Offers a serious reality-check (which is great for those considering this line of work it may not be exactly what you envision it to be!) (17-19).-Clearly defines the career.-Underscores that becoming a essential "cog" in the music machin. Decent read if you want to manage Bieber or Gaga While this book offers a comprehensive view of managing big name artists and contracts of big labels etc as well as covering ground for people who are interested in having a career in managing an artists, it deals very little, if at all, with what smaller and up and coming bands and musicians can do in taking steps to either securing management deals, or managing themselves, which

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